Recent reports reveal that Google's greenhouse gas emissions surged by 48% from 2019 to 2023, attributing the increase to the energy demands of AI technology. Despite promises of future decarbonization, AI currently consumes vast amounts of energy and water, with significant ecological impacts. Thomas Davis and Scott Stoneman critique AI's resource-intensive nature, emphasizing its role in perpetuating capitalist exploitation and environmental degradation. They argue for a critical examination of AI's material needs and its socio-economic impacts, urging a move towards more equitable and environmentally-conscious AI practices within a post-capitalist framework.
Carrie Karsgaard, Assistant Professor in the Education Department at Cape Breton University, discusses her recent book, Instagram as Public Pedagogy: Online Activism and the Trans Mountain Pipeline. The book uses digital methods to explore the educative potential and limits of social media in anti-pipeline activism.
Cutler J. Cleveland and Heather Clifford introduce Visualizing Energy, a new project of the Boston University Institute for Global Sustainability. Visualizing Energy is an open access, interdisciplinary science communication project that aims to increase actionable knowledge about a sustainable and just energy transition. The project knits data analysis, visualizations, and the written word into stories that reveal how our energy system can be transformed to reduce inequity, steer humanity from climate disaster, improve health and other social outcomes, and lead to healthy natural systems. Visualizing Energy is a public good; its motivations and methods are transparent, and its data products are freely available to all, making it an excellent tool for both research and teaching.
In part two of our Forum on Fossil Capital, Daniel Worden explores how Malm's work helps to make it clear how a revised cultural history of modernity can synthesize energy and capitalism, how criticism can make visible our culture’s authorization of fossil fuel systems, and how a thinker might distinguish between fossil capital’s ideological forms and the forms of alternatives.
Artist Oliver Ressler's "Barricading the Ice Sheets" project investigates the relationship between art and climate justice movements. In this reflection on the project, Ressler articulates the impossibility of neutrality, the role of representation in creating social movements, and the importance of art as a vital space both to reflect on the multi-dimensional climate crisis and to think beyond it.
In the final installment in our series on the impact of Timothy Mitchell's "Carbon Democracy," historian Troy Vettese explores Mitchell's unique scholarly method. Vettese argues that the power and originality of Mitchell's books, including "Carbon Democracy," stems from his adoption of approaches from postcolonial studies and Actor Network Theory (ANT). Mitchell has avoided ANT’s tendency to conservatism and has instead practised a radical critique of the economic, environmental, and political structures that he studies.
